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My videos and photographs examine paper as both a physical object and as a malleable document of the real. The imagery often relies on theatrical manipulation or illusion, but uses these mechanisms in order to inform or expand the meaning or reading of the imagery, rather than trick the viewer. My recent work employs video animation and photographic 're-constructions' that exploit the theatricality of architecture and landscape as a platform to spotlight the iconic and political structures of sports stadia. |
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